The Mask:”I am your Angel of Music”

For some reason recently I started listening to The Phantom of the Opera again.

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And for some reason I just really want to talk about his mask.

In the book  Gaston Leroux described Erik as “very ugly” — extraordinarily thin, with nasty yellow skin; his nose was absent and had few locks of hair. And true to the book, the makeup for the phantom in the musical is so horrifyingly ugly that it hurts to even look straight at it. But with the mask on, the phantom immediately merges into an alpha male.

Take a look at Ramin Karimloo’s portrayal of Erik. During “Stranger Than You Dreamt It”. His mask got pulled off; shocked and angry he ran after Christine yelling “Damn you! Curse you!” and fell down to his knees with one hand constantly covering the damaged side of his face. Then he started to inch towards Christine on his knees and started reasoning with her (“But Christine… Fear can turn to love, You’ll learn to see, To find the man behind the monster, This repulsive carcass who seems a beast, But secretly dreams of beauty.”) and eventually felt so vulnerable without the mask on in front of her that he turned away from her, still kneeling, with his hand still covering his face. He looked so pitiful at that moment that Christine, though still afraid, handed him his mask. He still couldn’t face her when he was putting the mask on, but after the mask was back on his face the transformation came. The second he put on the mask, it was as though his confidence came back: he no longer knelt, but stood straighter; he no longer hid, but turned to face her. That aura of dominance was seeping through the screen as he grabbed Christine’s hand and practically dragged her away (“Come, we must return; those two fools who run MY theatre will be missing you.”)

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And the same thing happened with John Owen Jones’ Erik, Peter Jöback’s Erik, and Norm Lewis’s Erik.

So all I’m rambling is that the mask could be seen as Erik’s shield: with it he was strong and dominating, but without it he was no more than a wounded child.

 

(Pictures are from Google search.)

aujourd’hui

Every thing starts little doesn’t it?

This is just some random practice for my French course. Well I have nowhere to put these scattered phrases and sentences anyway so *shrugs*


Je m’appelle Isabelle.

Je suis cantonaise.

Je suis une fille heureuse, la plupart du temps.

Mais je n’aime pas la nuit.

C’est trop sombre et trop intimidante.

Et tout de suite j’écoute musique du cantonais.

J’ai le mal du pays.

Mes parents me manquent.

*sighs*


“作為個廣州女,掛住屋企噶時候就聽d粵語歌啦”

但係 聽下聽下 竟然會越來越掛住屋企

唯有令自己變得繁忙 冇閒心霖其他嘢咯


One of the reasons why I really really don’t like nighttime (and rainy days for that matter) is that I feel insecure and sad when it’s dark and gloomy. I’m now 11,351 kilometres away from home, 13 hours apart, and can only communicate through a roughly-once-a-week Skype and occasional Wechat. Okay not occasional my mother is one talkative woman. But still, the time for us to have a complete and uninterrupted conversation is rare, what with all my classes and their work and the whole time difference thing.

I should really make myself busy so that I don’t have time for moaning about my homesickness.

After all, midterms are around the corner, and I still have a hell load of work to do.

*heavy sigh*


Bonne nuit.